Wednesday, 22 April 2015

Thesis - Component 1

Introduction

In the 1995 Fourth World Conference of Women in Beijing, the term 'gender mainstreaming' became part of the mainstream development planning when it was highlighted in the Platform for Action (Hew, C.S, 2009). Hew argues, however, that gender mainstreaming has been around for far longer than that -- citing Boserup (1970) and Rogers (1980) in arguing that women have been marginialized from development planning and needed to be included in the framework in order for the development of society to grow.

In order for a nation to develop, both women and men need to be given equal opportunities and equal access to developmental resources (Hew, 2009). Since the establishment of the Ministry of Women, Family and Community Development in 2001, the government of Malaysia and relevant non-government organizations (NGOs) has worked to include women more into the workforce and advancement of society. But how effective has their measures been?


Statements of the problem

“Equal measures alone will not produce equal results. The CEDAW committee recommended Malaysia that ‘monitoring measures should be introduced to ensure effective implementation of efforts to promote change concerning the stereotypical expectations of women’s roles and the equal sharing of domestic and family responsibilities, including making the flexible work arrangements envisaged in the 9th Malaysia Plan equally available to women and men.’” (Baksh, R. and Harcourt, W., The Oxford handbook of transnational feminist movements, p.372-373)

“…I am disappointed that as soon as I step into the ladies’ coach (of the KTM commuter), the available spaces were filled by 20 men standing and sitting, not even caring about the presence of women in the coach” (complaint from a KTMB user, Koc khusus wanita dipenuhi lelaki, National Consumer Complaints Centre, 2012)

“…women were doing well in health and education but doing very poorly in labour participation rate. Female labour participation rate were 43.7% in comparison to men at 80.9% in the year 2004. Women join the labour force and drop out rapidly during the child-bearing and child-rearing years and do not return.” (Hew, C.H., Globalisation and its challenges to gender mainstreaming in Malaysia, 2009)


Review of the Literature


In her article titled 'Globalisation and its Challenges to Gender Mainstreaming in Malaysia', Hew talks about how including women in the development of society -- i.e. gender mainstreaming -- and giving them equal opportunities to developmental resources as men will allow for the development 'for the people' to improve and advance further.

Hew outlines that Malaysia has been a bit slow in working towards gender mainstreaming, with it gaining momentum only in the Eighth Malaysia Plan (2001-2005), with gender budgeting and provisions were allocated to five Ministries (Ministry of Education, Higher Education, Health, Human Resources and Rural and Regional Development) in 2003. The purpose for such is to ensure that gender information is integrated into the decision-making of policies and the allocation of resources in order to achieve gender equity.

In May 2007. the Ministry of Women, Family and Community Development launched the Malaysian Gender Gap Index (MGGI), which Hew explains works similarly to the Human Development Index (HDI), where the index takes on the value of 0 when there is no gender equity present, and 1 when gender equity is present. It looks at four aspects: health, education, economic activity and the empowerment of women. This MGGI indicates that women were doing well in healthcare and education, but poorly in labour force participation rate -- female participation was 47.3% compared to men at 80.9% in 2004, with Hew suggesting that it is mainly because women rapidly drop out from the workforce during the childbirth and child-care years, not to return. As for the number of women holding positions of power, only 9.6% of women are elected in parliament, while in the senate, only 33.3% of them are women.

Aims and objectives of the research

Aims:

· To raise awareness among women and men of the incentives and provisions provided by the Malaysian government and relevant NGOs through animation and graphic design.

· Subsequently encourage women to empower themselves through these provisions and incentives.

Objectives

· To create an informational animation about the incentives provided by the government and NGOs and shown in the following areas:

o 1-2 minute infomercials shown in government offices and public transport

o 10-15 seconds as infomercials for television, shorter duration for Youtube ads

· To raise awareness among the community of the incentives and provisions provided by the government and NGOs.

· To address shortcomings and suggest improvements on existing facilities, incentives and provisions that may help in further empowering women in society.

· To encourage women to make full use of these incentives so that their lives can be improved further.

Research Questions and/or Hypotheses

o What are the problems present in current provisions and facilities provided for women today?

o How can we encourage women to fully utilize the facilities and provisions already provided by the government and NGOs?

o How can we steer discussion on empowering women through the utilization of these incentives?

Methodology

Reference:

Baksh, R. and Harcourt, W., The Oxford handbook of transnational feminist movements, p.372-373

Tuesday, 17 March 2015

Animation 3 - Experiments

For my initial experiments I made sketches of a few art styles that I have chosen. The styles are: paper dolls, doodles and manga.





The following sketches are drawn in manga style -- a style that I'm most comfortable with and have been developing for a while. 




These are examples of 'stylized' manga style -- I try to vary the current style I have a bit and went for an almost cartoonish look. 





The following images are examples of doodles 


These are the results of combining manga style with doodles.

I haven't tried my hand at paper dolls yet, but I will try.


Tuesday, 23 December 2014

Graphic Design 2 Part 2 Learning Outcomes

1. Be able to describe appropriate research methods and processes in relation to the chosen field of study.

2. Plan an individual research project appropriate to the chosen field of study/practice.
.
3. Demonstrate innovative and creative problem-solving attributes within a chosen area of study.

4. Be able to work safely and competently within a widening range of Graphic Design techniques and practices.

5. Select techniques that hare appropriate for the research undertaken within a chosen field of study, both practically and qualitatively.

6. Display a sound knowledge and understanding of all health and safety issues.

7. Identify the nature and sources of information needed to write a research proposal and report (project proforma and  evaluative journal)

8. Be able to constructively critique the research work of peers, identifying strengths and weaknesses in techniques, analysis and conclusions.

9. Actively contribute to all group activities, i.e. seminars, critiques etc.

10. Be able to articulate their position within a wider cultural context.

Wednesday, 17 December 2014

Film Animation - Infographic


Animation 2 Part 2 - Infographic




Film Animation Task 4 - Maleficent


Step 1. Pre-viewing
A
Title of Film: Maleficent

Record Group Source: Walt Disney, Roth Films

B
What do you think you will see in this FILM? List Three concepts or ideas that you might expect to see based on the title of the film. List some people you might expect to see based on the title of the film.

Concepts/Ideas
1. Magic

2. Fairy tales

3. Myths
People
1. Royalty

2. Young people

3. Non-human folk
Step 2. Viewing
A
Type of film (check where applicable):

 


B
Physical qualities of the film (check where applicable):





 











C
Explain about the theme and type of this film

The film is about how people can change over time for various reasons. It is a dark fantasy type of film.


D
Note how camera angles, lighting, music, narration, and/or editing contribute to creating an atmosphere in this film. What is the mood or tone of the film?

The mood of the film is dynamic; it can change from being intense to being calm and slow-paced within the film. This is achieved mostly through lighting and camera angles, particularly lighting.




E
Explain about camera angles, lighting, music, narration, character about that film.

·         The film emphasizes on medium and close-up shots; to emphasize on character interaction and development

·         Lighting employed is mostly intense -- used mainly to differentiate between setting and time

·         Narration of the film is dynamic, helps audience empathize with characters

·         Characters are well fleshed out and interesting to know about, even minor characters. Focus on Maleficent helps people to empathize and sympathize with her.


Step 3. Post-viewing (or repeated viewing)
A
What is the central message(s) of this film?

People change over time due to various reasons.

B
Consider the effectiveness of the film in communicating its message. As a tool of communication, what are its strengths and weaknesses?

·         Emphasis on characters and their development helps to drive the message very clearly in a very interesting way
·         Because of this, the plot of the film feels more fleshed out and developed as compared to the original animated film
·         However the drawback is that it is vastly different from the original fairy tale in which both films are inspired from

C
How do you think the filmmakers wanted the audience to respond?

·         The filmmakers may have wanted the audience to empathize with Maleficent and show them that the "iconic Disney villain" may not always have been completely evil all her life -- they want to show the audience that people change due to their experiences


D
Does this film appeal to the viewer's reason or emotion? How does it make you feel?

·         I absolutely love the film -- it is so vastly different from the original Sleeping Beauty and it makes more sense
·         I feel that the film tackles complicated messages in a realistic way and that is one core strength of the film

E
List two very important message in this film

1.       People change due to various reasons and circumstances

2.       True love does not always have to be romantic



Film Analysis Task 4 - Sleeping Beauty

Film Analysis Worksheet

Step 1. Pre-viewing
A
Title of Film: Sleeping Beauty

Record Group Source: Walt Disney

B
What do you think you will see in this FILM? List Three concepts or ideas that you might expect to see based on the title of the film. List some people you might expect to see based on the title of the film.

Concepts/Ideas
1. Magic

2. Fairy tales

3. Myths
People
1. Royalty

2. Young people

3. Elders
Step 2. Viewing
A
Type of film (check where applicable):

 





B
Physical qualities of the film (check where applicable):



C
Explain about the theme and type of this film

The film is a classic fairy tale that revolves around love and hope.



D
Note how camera angles, lighting, music, narration, and/or editing contribute to creating an atmosphere in this film. What is the mood or tone of the film?

The mood of the film is mostly calm and almost romantic, with some suspense included into the mix. The tone of the film is a calm yet relatively fast-paced one.




E
Explain about camera angles, lighting, music, narration, character about that film.

·         The film uses straight angles for most of the film with dynamic angles used for scenes with more action in them.

·         Lighting employed is relatively low, with bright lighting used to emphasize on the mood of suspense in the film.

·         Narration of the film is straightforward, fast-paced to get the action and plot going along

·         Characters are relatively underdeveloped; the film is mostly plot-driven so the pace of the film is rather fast, leaving less room for character development


Step 3. Post-viewing (or repeated viewing)
A
What is the central message(s) of this film?

True love and good triumph over evil

B
Consider the effectiveness of the film in communicating its message. As a tool of communication, what are its strengths and weaknesses?

·         Considering how Sleeping Beauty is plot-driven, it helps drive the message in a very straightforward manner
·         Although this helps to clearly enunciate the message of the film, it tends to end up looking rather bland to contemporary audiences

C
How do you think the filmmakers wanted the audience to respond?

·         The filmmakers may have wanted the audience to enjoy their retelling of a classic fairy tale, which is what Sleeping Beauty is -- a reimagining of the classic tale by Charles Perrault


D
Does this film appeal to the viewer's reason or emotion? How does it make you feel?

·         I enjoy the aesthetics of the film -- Disney has always been known for its magical films and I feel that Sleeping Beauty is what makes the fairy tale so popular
·         Many people love seeing a happy ending as a resolution to a film and I think Sleeping Beauty achieves just that

E
List two very important message in this film

1.       Love conquers all

2.       Good triumphs over evil